Category: Creative Sound Project E2
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Week 26: Spatial Sound and Immersive Media (Gareth Mitchell)
Stereo Sound exercise Gareth wanted to show us the effect of moving sound to different parts of your head and seeing the feeling you get from different positions. Most people have different hearing in their ears so to was interesting to see how people reacted to it. It was an interesting experience for me because…
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25B Creative Workshop: Sound Design with Ableton Synthesis
Pulsar 23 Part 1: Listening and context Bebe and Louis Barron (USA 1956) The Forbidden Planet Using Analog in Ableton
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Week 24 Digital and FM synthesis
Touching on the ethics of sampling again Synthesis We looked at some hardware thats functions include FM Synthesis, Moog’s semi-modular synthesiser was a affordable synth that has a mini euro rack. A euro rack was created as a standard board to use for all synthesisers, it acts as a control panel that you can manipulate…
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23B Developing your Sampling Technique (j Milo Taylor)
What is Sound Art for me? Dance, industry, apps, film, acousmatic, ecology, radio, game, animation, mixing, instrument design, immersive media The three choices we have for next years Sounds Arts course are: Specialisation, sound for screen and expanded studio practice. Suzanne Ciani (1946) Suzanne Ciani was a practitioner of Buchla synthesis, this was a style…
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Week 23- Musique concrete with Gareth
What is music concrete? It’s a style of music practice where a noise is taken out of context and manipulated to change the pace, feel and overall result of the original sound. It breaks away from using recorded sounds rather than traditional music instruments. Sampling and the Fairlight Art of noise – Close (1984) The…